Push Process

The Royal Ocean Film Society: I’ve been asked a lot what the process of making these essays is like, but rather than just droll on about recording voiceover, late night editing sessions, and falling into despair upon seeing the first cut, I want to take these few minutes to talk about how that working process has evolved creatively over the past year, and about where I’m trying to take these essays in the future.

See also

David Fincher – Invisible Details

kaptainkristian: A look at the hidden visual effects work of David Fincher’s filmography.

I knew that Fincher used a lot of CGI, but I had no idea how far he had taken this trickery. It’s hugely effective stuff.

See also

How Tommy Wiseau Blocks A Scene

This Guy Edits: “The Room” by Tommy Wiseau is one of the best movie experiences you’ll ever have. I’m nerding out on Wiseau’s blocking, but there’s so much more to his genius. I truly am a big fan.

Also by This Guy Edits: Why Video Essays are just plain AWESOME →

Rogue One: A Star Wars Legacy

You won’t hear the “Star Wars” theme in “Rogue One,” but the newest movie’s score does pack a bunch of other little musical references to the original saga. And if you reeeaaally strain your ears, you might actually hear that main theme after all. (via digg)

See also: Lord Of The Rings: How Music Elevates Story — Evan Puschak talks about Howard Shore’s use of leitmotifs.

Sherlock: How To Film Thought

Nerdwriter: Today I want to look at how Sherlock gets from point A to point B-from problem to solution; mystery to clarity-in one of the show’s most extraordinary visual revelations. It’s a sequence that lasts 3 minutes and 42 seconds with a fresh, weird idea in almost every beat.

Other Nerdwriter posts on this blog