The Enterprise model, a genuine television star of the 1960s, now rests in the south lobby of Milestones in a new, state-of-the-art, climate-controlled case. From the center of the Hall, the restored Enterprise rests with its camera-ready side on full view.
Malcolm Collum and Will Lee discuss the markings on the bottom of the saucer section.
Kim Smith adds red detailing to a carefully masked area of one of the nacelles.
John Goodson shows off the complex masking used to create the markings on the bottom of the secondary hull.
Washington Post: Here’s what’s new:
A green-gray paint job. Using the original paint on the top of the saucer as a reference, conservators returned the ship to its proper color by removing paint applied during previous restorations and adding new paint where needed. “People are going to say it looks too green now, but it looked more gray on TV because of the powerful incandescent studio lights,” [museum conservator, Malcolm] Collum says.
Space tarnish. Artists from visual-effects studio Industrial Light and Magic applied bronze-colored streaks and specks, lost during past restorations, to the exterior. “It looks like the ship was speeding through space and ran through a cloud of something that splattered across its hull,”Collum says.
Bill George and John Goodson, both of ILM, mark the position of windows on the secondary hull before painting.
Old-school decals. With historic photos as a reference, ILM artists added lettering to the sides of the starship using the waterslide method (the same technology that underlies temporary tattoos) used by the original model makers.
A more authentic deflector dish. Before coming to the Smithsonian, the Enterprise lost its deflector dish — the saucer at the front that projects a force field to protect the ship from space debris. During an earlier restoration, “the museum made a not-very-accurate replacement — we referred to it as the salad bowl,” Collum says. The new dish is a perfect replica, re-created using the original specs.
Lights that won’t cause fires. In addition to blinking lights throughout the ship, the Enterprise’s nacelles appeared to have spinning lights inside, an effect created with motors, mirrors and Christmas lights. The old incandescent bulbs ran hot and actually scorched the inside of the wooden model, which is why they were removed long ago, Collum says. The restored version uses LED lights to replicate the original effects. “When you turn on the lights, it just brings the ship to life,” Collum says. “It’s an incredible transformation.”
The studio model of the Star Trek starship Enterprise is now on exhibit in the Boeing Milestones of Flight Hall. After taking it off exhibit in 2014, assembling a special advisory committee, examining it using x-ray radiography, searching out long-lost photos, and planning the work in great detail, months of hard work culminated in several weeks of painting, detail work, rewiring, and final assembly.