Xavi Bou

If Birds Left Tracks in the Sky, They’d Look Like This

National Geographic: If birds left tracks in the sky, what would they look like? For years Barcelona-based photographer Xavi Bou has been fascinated by this question.

Ultimately he chose to work with a video camera, from which he extracts high-resolution photographs. After he films the birds in motion, Bou selects a section of the footage and layers the individual frames into one image.

This current work, he says, combines his passion and his profession. “It’s technical, challenging, artistic, and natural. It’s the connection between photography and nature that I was looking for.”

See also

Humans and other animals

Ornitografías: If birds left tracks in the sky…

Photographer Xavi Bou captures the paths that birds make across the sky.

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Quietly tucked away in a few unassuming buildings in lower Manhattan, massive flows of data pulse through some of the world’s largest and most heavily guarded hubs of global internet infrastructure.

​Peter Garritano is a photographer based in New York City.

See also

  • The seven keys to the internet“It sounds like the stuff of science fiction: seven keys, held by individuals from all over the world, that together control security at the core of the web. James Ball joins a private ceremony, and finds the reality is rather closer to The Office than The Matrix.”
  • Ye olde submarine cable mapTeleGeography’s Submarine Cable Map has been updated for 2015. The latest edition depicts 299 cable systems that are currently active, under construction, or expected to be fully-funded by the end of 2015.
  • The 10 Immutable Laws of Computer Security, by Scott Culp c.2000
Life on the Internet

Peter Garritano’s photographs of Internet infrastructure in New York

“Quietly tucked away in a few unassuming buildings in lower Manhattan, massive flows of data pulse through some of the world’s largest and most heavily guarded hubs of global internet infrastructure.”

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Hitler rehearsing, 1925

Mashable: Hitler asked his personal photographer Heinrich Hoffmann to take photos of him rehearsing speeches. Hitler would try out various gestures and expressions, then review the pictures to see if his postures looked stunning or stupid.

Though Hitler ordered Hoffmann to destroy the pictures for being “beneath one’s dignity,” the photographer kept them in his studio. He later published the photos in his memoir, Hitler Was My Friend.

See also: Hitler was high during most of World War II

Humans and other animals

Hitler rehearsing

“One of Hitler’s best talents was oration. He first developed his acumen for public speaking in beer halls, where his rants would start out cool and precise, then escalate into hypnotic histrionics as his audience became more engaged (and drunk).”

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Juno Perijove — Jupiter Flyby

A wonderful video by Seán Doran putting recent imagery from the Juno spacecraft to György Ligeti’s Atmosphères, famously used in 2001: A Space Odyssey.

From the original video: This computer animation uses the JunoCam images of PJ-05 as textures, and SPICE trajectory data in order to reconstruct the flyby as seen from Juno’s perspective.

Above: Edits by Seán Doran // Below: as featured on APOD

On May 19, the Juno spacecraft once again swung by Jupiter in its looping 53 day orbit around the Solar System’s ruling gas giant.

Perijove Passage

APOD: Beginning at the top, this vertical 14 frame sequence of enhanced-color JunoCam images follows the spacecraft’s rapidly changing perspective during its two hour passage. They look down on Jupiter’s north polar region, equatorial, and south polar region (bottom images). With the field-of-view shrinking, the seventh and eighth images in the sequence are close-up. Taken only 4 minutes apart above Jupiter’s equator they were captured just before the spacecraft reached perijove 6, its closest approach to Jupiter on this orbit. Final images in the sequence pick up white oval storm systems, Jupiter’s “String of Pearls”, and the south polar region from the outward bound spacecraft.

See also

Light-based media

By Jove! Spectacular new views of Jupiter

On May 19, the Juno spacecraft once again swung by Jupiter in its looping 53 day orbit around the Solar System’s ruling gas giant.

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Still File

…is a series of 4 photographs recreating computer renderings as physical scenes by Skrekkøgle, a product and digital design studio in Oslo.

Cube, sphere and cone geometry with material textures mahogany, clear glass and white marble. Placed on reflective checkers plane.

Floating colored cube without environment. Low greyscale resolution creates gradient banding in background.

Three white Utah teapots – scaled, rotated, intersected and distorted. Diffuse lighting, composed on matte yellow plane.

Patterned spheres with pink metallic texture. Panoramic photo of a beach added on cylindrical environment, mirrored in both the base plane and in the metal spheres.

See also: Other posts tagged ‘3D’ and ‘CGI’.

Light-based media

Still File: Real recreations of computer renderings

The photos’ artifacts, surroundings, camera settings and lighting has been shaped intending to resemble 3d graphics of different types.

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The Mammoth Pirates

Amos Chapple (RFE/RL): With the sale of elephant tusks under close scrutiny, “ethical ivory” from the extinct woolly mammoth is now feeding an insatiable market in China. This rush on mammoth ivory is luring a fresh breed of miner – the tusker – into the Russian wilderness and creating dollar millionaires in some of the poorest villages of Siberia.

The Mammoth Pirates

This 65-kilogram tusk, photographed a moment after it was plucked from the permafrost, was sold for $34,000. The two men who found it unearthed three more in just over a week, including one weighing 72 kilograms.

Ravaged landscape is the obvious result of the tusk hunters’ methods, but the impact on Yakutia’s waterways is far-reaching.

See also

Progression and regression

The Mammoth Pirates

On condition that he not reveal names or exact locations, RFE/RL photographer Amos Chapple gained exclusive access to one site where between bouts of vodka-fueled chaos and days spent evading police patrols, teams of men are using illegal new methods in the hunt for what remains of Siberia’s lost giants.

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SLO: 3D Printed Camera

SLO: 3D Printed Camera

Amos Dudley made made his own 3D printed camera, with lens.
He has even made the design files available for download so you can print your own.

SLO is a single lens objective. SLO is the mechanical shutter. SLO is the speed of good design, and the feeling of capturing life with a camera you made yourself.

A 3D printed camera body could look like anything, but I decided to optimize the design for printing speed and material usage. Most of the larger parts are designed without overhangs in one orientation, so they can be printed without supports, straight off the build platform. Separating the body into modules let me prototype each component individually. The shutter and lens are modules, and can be swapped out for different designs without reprinting the entire camera.

Creating a lens with a 3D printer is a challenge – your typical FDM printer won’t cut it here. […] The result was mixed- the lenses looked transparent, but weren’t optically sharp. Surface reflections were still blurry, which is a sign that a surface still has microscopic grooves that scatter light.

There’s no adjustment for shutter speed, except for the speed the button is pressed by your finger.

Photo taken with the SLO 3D printed camera

Photo taken with the SLO 3D printed camera

See more photos taken with the SLO on Flickr, shot on Fujicolor Superia 400.

35mm is the most common film standard, and the natural choice for the SLO. It’s also the only film size that’s still relatively easy to get developed at a reasonable price. The choice of a film size informs many aspects of a camera’s design and function.

(via HN)

See also

Light-based media

SLO: 3D Printed Camera

“The design of the camera body evolved from a simplified massing of functional elements to refinements based on ergonomics and scale, as I learned more about the strength of the material.” — Amos Dudley

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