Angry Jack
Life on the Internet

Why Are You So Angry?

Ian Danskin (aka Innuendo Studios) has just posted the final part in his six-part series on the male gamer’s relationship to feminism.

Part 1: A Short History of Anita Sarkeesian

The internet is full of Angry Jacks, and Jack is not exclusively, but is typically, male. He’s also commonly white, and/or straight, and/or cis, and/or raised middle class. Which is to say, he usually looks like me.

To people who look like me, Jack is often a nuisance. To people who don’t look like me, Jack is frequently dangerous.

Part 2: Angry Jack

[…] And you’re thinking, or maybe even starting to say, “I shouldn’t have to have this debate right now. I just wanted to go to a fucking party. I’m normal! This is a normal thing to do!” And all she said was “no thanks, I don’t drink,” but that doesn’t matter, what you heard was “you’re a bad person.”

Watch parts 3, 4, 5 & 6 →

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“Slavery to Mass Incarceration”

The myth of racial difference that was created to sustain American slavery persists today. Slavery did not end in 1865, it evolved.

Narrated by Bryan Stevenson. Art by Molly Crabapple.

See also:

Kate Parker first started photographing her girls several years ago, with the hope of teaching them that “Whatever you are…that’s okay.”

See also

Light-based media

Strong is the new pretty

“There’s a lot of pressure for girls (and women) to look a certain way, act in a certain manner, and I wanted to let my daughters know that who they naturally are is enough.” — Kate Parker

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Continue reading on The Nib

(via Matt Bors)

Humans and other animals

Lighten Up – the subtle racism of shifting skin tones in comics

“I’m always sensitive about bringing up this sort of thing in work environments. The mere mention of race puts white people on edge, and that puts everybody else on edge.” –Ronald Wimberly

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Britain has a long history of invasions: over the past two millennia, various armies from the Romans to the Anglo-Saxons conquered the bulk of the British Isles. A new genetic analysis of the country has revealed which invading force had the greatest impact on its DNA.
The Verge: Genetic map of the UK shows which invasions created Britain’s DNA

Nature: The results throw new light on several aspects of the peopling of Britain. For instance the genetic contribution to southeastern England from Anglo-Saxon migrations is under half, suggesting significant pre-Roman but post-Mesolithic population movement from the European continent. The data also reveal that non-Saxon regions contain genetically differentiated subgroups rather than a general ‘Celtic’ population.

Humans and other animals

Genetic map of the UK shows which invasions created Britain’s DNA

“Peter Donnelly and colleagues use such data from a selected geographically diverse sample of more than 2,000 individuals from the United Kingdom to reveal remarkable concordance between genetic clusters and geography.” — Nature

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Though race is one of those seismic issues—the stuff of movements and monuments and multiday conferences at top universities—the moments revealed in the six-word submissions are smaller in nature and much more intimate:

Brown-skinned mothers who are mistaken as the nannies of their lighter skinned children.

Blue-eyed teenagers who grow outsize afros to win easy (or at least easier) acceptance on the basketball court.

Asians with Irish last names who delight at seeing the faces of potential employers when they show up for job interviews.

And blonde women who understand why their children choose to identify as “Black-tino” out of cultural convenience but quietly die inside because they feel rejected or left out. This is all part of the crazy quilt of America. Our diversity is the marvel of the world and represents one of our greatest strengths as a nation. It heralds progress but not without pain for those who live on the knife-edge of multiple cultures.

(via @picpedant)

Humans and other animals, Shape of things to come

Visualising race, identity and change

“Official statistics can paint a useful picture. Appearance is an important aspect of the story. But to understand race—and more specifically racial ambiguity—it helps to understand those whose lives are defined by it.” — National Geographic

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