Alan Warburton: It’s 2017 and computer graphics have conquered the Uncanny Valley, that strange place where things are almost real… but not quite. After decades of innovation, we’re at the point where we can conjure just about anything with software. The battle for photoreal CGI has been won, so the question is… what happens now?
GDC: In this 2017 session, Doom composer Mick Gordon provides a detailed look into the compositional process, production techniques and creative philosophies behind the hell-raising soundtrack to the 4th installment of the seminal first-person shooter franchise, Doom.
This is one of the best talks I’ve seen on the GDC YouTube channel! In addition to the new Doom game, Mick Gordon has composed music for the new Wolfenstein games and Prey. In his talk Gordon covers a lot of ground, including how he approached the brief, making satisfying bass come across on unsatisfactory equipment, hiding subliminal messages and courage vs. confidence.
- A history of Doom — If you had a PC — you had to have Doom.
- The art of Firewatch — A recreation of Jane Ng’s talk from Game Developers Conference 2015.
- Black MIDI — Have you ever been listening to a normal song and thought, “I really wish this normal song had 280 million notes and took up 1.1 terabytes of data and was literally unplayable on any computer?”
Noclip: In the first video in our three-part series, we tell the story of how the 1.0 version of FINAL FANTASY 14 came to be. How FINAL FANTASY 11 inspired its design, the ways in which the game fell short and how Square-Enix and the development team reacted to its failure.
See also: Other posts tagged ‘games’.
The Royal Ocean Film Society: I’ve been asked a lot what the process of making these essays is like, but rather than just droll on about recording voiceover, late night editing sessions, and falling into despair upon seeing the first cut, I want to take these few minutes to talk about how that working process has evolved creatively over the past year, and about where I’m trying to take these essays in the future.
Auralnauts: We provide you with the winning formula that turns any trailer into the blockbuster smash hit of the season it was meant to be.
Mashable: Hitler asked his personal photographer Heinrich Hoffmann to take photos of him rehearsing speeches. Hitler would try out various gestures and expressions, then review the pictures to see if his postures looked stunning or stupid.
Though Hitler ordered Hoffmann to destroy the pictures for being “beneath one’s dignity,” the photographer kept them in his studio. He later published the photos in his memoir, Hitler Was My Friend.
“One of Hitler’s best talents was oration. He first developed his acumen for public speaking in beer halls, where his rants would start out cool and precise, then escalate into hypnotic histrionics as his audience became more engaged (and drunk).”