Use your words

A free book about creating new typefaces (using FontForge)

Design With FontForge is a free web book (also available in ePub, Mobi and PDF formats) about creating new typefaces. While much of it is geared towards working in FontForge, there is still plenty of general information, like this chapter on Creating Your Type’s DNA:

So, for instance, you may want to use “a d h e s i o n” to start with. This set of letters is what’s used in the type design MA course at the University of Reading, UK. An alternative is “v i d e o s p a n” which is used by the foundry Type Together to start their projects, and in their own type design workshops. Either set has enough DNA to be meaningful, and both are small, so they are easy to make ‘global’ changes to.

While it may be easiest to simply use one of the above sets of letters, you can also build your own. Ask yourself what set of letters you should pick to add to ‘n’ and ‘o’. Consider the following options:

  • ‘a’ — the letter ‘a’ is also a very common starting choice. The ‘a’ may also be useful in ‘anticipating what the terminals of the ‘s’ will look like.
  • ‘d’ — the shape of ‘d’ can let you know quite a lot about the design of ‘b’, ‘p’ and ‘q’.
  • ‘e’ — in English and many other languages, the letter ‘e’ is especially common — which ‘makes it especially valuable. The shape of ‘e’ can also be used to begin the design of ‘c’.
  • ‘h’ — while ‘h’ can be built fairly rapidly from the ‘n’, it also provides variety to the texture you want to test by offering an ascender.
  • ‘i’ — like ‘e’, the letter ‘i’ is fairly common and has the benefit of letting you know a little bit about the face of the ‘j’. The shape of ‘i’ is also partly inferable from the shape of the ‘n’.
  • ‘s’ — the letter ‘s’ is a good one to draw early on because it adds visual variety to the texture of the letters you will be testing. The letter ‘s’ is also unusually hard to get right, so starting on it early makes it more likely that you will be able to spend enough time to get it right by the end of the project.
    The terminals of the ‘s’ may sometimes be useful for anticipating what the terminals of ‘a’, ‘c’, ‘f’, ‘j’ and ‘y’ could be like.
  • ‘v’ — the letter ‘v’ is useful for anticipating what the ‘y’ and ‘w’ may be like.


Latin Typeface Design: Process Overview

Latin Typeface Design Process

Aoife Mooney — The Design Process Made Manifest

The process of iteration — of research through making — is particularly magnified in the practice of type design.

See also: Other posts on this blog tagged ‘typography’.


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